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Dangerous LaughterBy Steven Millhauser
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Thirteen darkly comic stories, Dangerous Laughter is a mesmerizing journey that stretches the boundaries of the ordinary world.
From the Trade Paperback edition.
- Sales Rank: #685828 in eBooks
- Published on: 2008-02-12
- Released on: 2008-02-12
- Format: Kindle eBook
From Publishers Weekly
Starred Review. Phenomenal clarity and rapacious movement are only two of the virtues of Millhauser's new collection, which focuses on the misery wrought by misdirected human desire and ambition. The citizens who build insulated domes over their houses in The Dome escalate their ambitions to great literal and figurative heights, but the accomplishment becomes bittersweet. The uncontrollably amused adolescents in the book's title story, who gather together for laughing sessions, find something ultimately joyless in their mirth. As in earlier works like The Barnum Museum, Millhauser's tales evolve more like lyrical essays than like stories; the most breathlessly paced sound the most like essays. The painter at the center of A Precursor of the Cinema develops from entirely conventional works to paintings that blend photographic realism with inexplicable movement, to—something entirely new. Similarly, haute couture dresses grow in A Change in Fashion until the people beneath them disappear, and the socioeconomic tension Millhauser induces is as tight as a corset. Though his exaggerated outlook on contemporary life might seem to be at once uncomfortably clinical and fantastical, Millhauser's stories draw us in all the more powerfully, extending his peculiar domain further than ever. (Feb.)
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From Bookmarks Magazine
Pulitzer Prizeâ€"winner Steven Millhauser (Martin Dressler: The Tale of an American Dreamer) has focused his attention in recent years on the novella and short fiction. The author culls his latest collection from stories published in The New Yorker, Harper’s, and other venues over the last decade. Any collection drawn from such diverse sources and compiled over a period of time will strike some readers as disconnected. All critics welcome Millhauser’s return and compare the best of these stories (“Here at the Historical Society,†for example) to the work of Italo Calvino and Jorge Luis Borges. Less popular are “The Tower,†about a literal Tower of Babel that struggles to rise, and other stories that embrace Big Ideas. Overall, Dangerous Laughter is a strong effortâ€"“not just brilliant but prescient†(New York Times Book Review)â€"and reading these stories is like picking up the “best of†collection of your favorite band: good memories, catchy hooks, and always something new in the familiar.
Copyright © 2004 Phillips & Nelson Media, Inc.
Review
“Remarkable. . . . Not just brilliant but prescient.” —D. T. Max, The New York Times Book Review“Readers seeking the perfect introduction to Pulitzer Prize-winning author Steven Millhauser need look no further. . . . Dangerous Laughter draws on every facet of his imagination. . . . It's more akin to music-making than storytelling.” —Michael Upchurch, The Seattle Times “Millhauser's best story collection. . . . Every reader knows of writers who are like secrets one wants to keep yet whose books one wants to tell the world about. Steven Millhauser is mine.” —David Rollow, The Boston Globe “Enchanting. . . . Steven Millhauser is a marvel.” —Daniel Dyer, The Plain Dealer“Millhauser . . . is our most brilliant practicing romantic, for whom surface reality is merely an uninteresting illusion.” —Charles May, San Francisco Chronicle“[An] absorbing, impeccably imagined collection.” —Gregory Kirschling, Entertainment Weekly “Beautiful and profound. . . . Millhauser's work is among the most thought-provoking I've ever encountered.” —David L. Ulin, Los Angeles Times Book Review “Dangerous Laughter groups three sets of smart, darkly obsessive stories around the themes of risk-taking, imaginary places, and ersatz biographies, all led off by a crazy cartoon cat-and-mouse slapstick drama rendered with pure cloak-and-dagger delight.”—Lisa Shea, Elle“Tales fueled by curiosity and wonder, from a master . . . [who] is consistently so much fun to read . . . Everything one has come to want and expect in Millhauser’s fiction is here–spooky attics, fantastic inventions, artists driven mad, and ambitious enterprises that become overattenuated and impossible to sustain. The result is almost a Steven Millhauser primer, a much needed fix for fans . ...
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